My husband is an avowed anti-royalist and believes the British aristocracy should be retired. He long ago convinced me of the same. With that said, we both enjoy
Downton Abbey, particularly me. I've watched it straight through several times.
Season Four is now playing in the UK and, if you know where to look, it's easily found online. The rest of the world, including Australia and US, will have to wait until at least early 2014 to see it broadcast.
I've watched some fourth season episodes from online sources. While the show is still very good, I have to say I don't think it quite hits the high mark of the first three season. But I should also add the caveat that I didn't think the second and third seasons were as good as their predecessors until my mind was changed later in the respective seasons. Perhaps I'll have the same reaction to this fourth one.
What strikes me about the show is how it really is built on a foundation chocked fu of cliches and melodrama, but because it's so bloody well written, acted, and directed, it all somehow works without seeming like a groaner. Look at some of the conventions upon which the story is built: the paralyzed character who can suddenly walk, the rich girl who marries the working class chauffeur who once drove her, the woman who unquestionably stands by her man no matter that he's convicted of brutal murder, and much more.
In lesser hands, the show would be torture to watch. But
Downton manages not to fall into the hackneyed trap almost impossible to avoid for most dramatists. The creator/writer Julian Fellowes satirized the same conventions in
Gosford Park, so the fact he can pull them off seriously with
Downton is doubly remarkable.
The husband and I also recently watched the two seasons of the 2002/2003 version of
The Forsyte Saga on DVD, which is quite good but not up to
Downton's very high mark.
Forsyte frequently traffics in melodrama and cliches, where it stumbles on occasion, because the acting, writing, and directing can't quite lift it out of the trap. The
Forsyte writers and actors can be forgiven, however, because the source book is full of what now seems melodramatic and cliched, although it wasn't at the time it was written.
Here are some ladies on their way to Downton Abbey, but something tells me they won't be invited inside for tea and scones. I guess this was a "naughty postcard" of the era. To think one could actually go to prison back then for peddling such harmless fare.